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Italian lawmakers approve 10 million euros for long-delayed Holocaust Museum in Rome_我的网站

一 |     Tamil cinema is gearing up for a major nostalgia wave as the cult Tamil hit film Padayappa storms back into theatres on 12 December, perfectly timed with Rajinikanth’s 75th birthday and his 50-year milestone in cinema. For fans, this is not just a rerelease but an invitation to revisit a cultural moment that helped define superstardom, fan hysteria, and the sheer spectacle of big screen entertainment.In a newly surfaced behind the scenes video, Rajinikanth looks back on the making of the KS Ravikumar hit with characteristic candour. He recalls being astonished by the sheer volume of women who turned up at cinemas during its original run, something he admits he had never witnessed in his decades long career. For a star known for pan demographic appeal, that detail captures the special emotional tether Padayappa created on release.Rajinikanth Says Padayappa 2 Is Under Serious ConsiderationWhat has amplified fan frenzy even more is Rajinikanth’s confirmation that discussions for Padayappa 2 have begun. Having already been part of sequels like Jailer 2 and 2.0, he said he strongly felt the world of Padayappa still had unexplored dimensions.He added that the proposed sequel would shift its gaze entirely to Neelambari. Ramya Krishnan’s iconic antagonist continues to be one of Tamil cinema’s most celebrated characters, remembered for her intensity, elegance, and fierce emotional complexity. Built around her vow to avenge Padayappa even through another birth, the potential storyline has already ignited rampant speculation among fans.Rajinikanth shared that the creative team is currently shaping the narrative and that the new chapter, if finalised, will retain the festive scale and emotional fireworks that made the first film a landmark in his career.                                         A Film Made for the Big Screen ExperienceThe superstar also spoke about the sacredness of the theatrical experience while making Padayappa. He revealed that he consciously resisted lucrative digital offers because he believed the film deserved to be experienced only in cinemas. Except for selling satellite rights, he kept the film away from early home viewing platforms, insisting that its visual energy and narrative punch were designed for the big screen.Directed by KS Ravikumar, the 1999 blockbuster brought together an ensemble that still feels timeless. Sivaji Ganesan delivered regal gravitas as Padayappa’s father, while Soundarya offered warmth and restraint opposite Rajinikanth. Radha Ravi, Nassar, Manivannan, and Abbas rounded out a cast that propelled the story’s blend of conflict, romance, and redemption.                                                                 View this post on Instagram          A post shared by Soundarya Rajinikanth (@soundaryaarajinikant)               AR Rahman’s soundtrack was a sensation on release and remains one of his enduring commercial albums. Tracks like En Peru Padayappa and Minsara Poove continue to dominate nostalgic playlists, testimony to the musical legacy that accompanied the film’s theatrical impact.More than 25 years later, Padayappa still represents everything that makes mass cinema a communal celebration. The emotion, the punch lines, the star power, and the myth making around Rajinikanth have aged into legend. Its rerelease arrives at a symbolic moment in his career, allowing audiences to relive the energy that once turned theatres into festival grounds.And if a Neelambari centred sequel does take shape, fans may soon witness a fresh chapter in one of Tamil cinema’s most iconic rivalries.Also Read: Tamil Cinema Bids Farewell to AVM Saravanan, A Producer Who Shaped Generations。    MILAN -- Italian lawmakers voted unanimously Wednesday to back a long-delayed project to build a Holocaust Museum in Rome, underlining the urgency of the undertaking following the killing of Israeli civilians by Hamas fighters in what have been deemed the deadliest attacks on Jews since the Holocaust.The measure includes 10 million euros ($10.5 million) in funding over three years for construction of the exhibits, and 50,000 euros in annual operational funding to establish the museum, a project that was first envisioned nearly 20 years ago. Recalling the execution of an Israeli Holocaust survivor during the Oct. 7 attacks in Israel, lawmaker Paolo Formentini from the right-wing League party told the chamber, "We thought that events of this kind were only a tragic memory. Instead, it is an ancient problem that is reappearing like a nightmare.”The Holocaust Museum project was revived last spring by Premier Giorgia Meloni’s far-right-led government. It languished for years due to bureaucratic hurdles but also what many see as a reluctance to examine the role of Italy’s fascist regime as a perpetrator of the Holocaust.The president of the 16-year-old foundation charged with overseeing the project, Mario Venezia, said Italy’s role in the Holocaust, including the fascist regime’s racial laws excluding Jews from public life, must be central to the new museum. The racial laws of 1938 are viewed as critical to laying the groundwork for the Nazi Holocaust in which 6 million Jews were murdered.Of Italy's 44,500 Jews, 7,680 were killed in the Holocaust, according to the Yad Vashem Museum in Jerusalem. Many were rounded up by the German SS using information provided by Italy’s fascist regime and, according to historians, even ordinary Italians.“Denial has always been part of the history of World War II, taking various insidious forms, from complicit silence to the denial of facts,’’ said Nicola Zingaretti, a Democratic Party lawmaker whose Jewish mother escaped the Oct. 16, 1943 roundup of Roman Jews; his maternal great-grandmother did not and perished in a Nazi death camp. “The Rome museum will therefore be important as an authoritative and vigilant of protector of memory,'' Zingaretti told the chamber before the vote. The city of Rome has identified part of Villa Torlonia, which was the residence of Italy’s fascist dictator Benito Mussolini from 1925-43, as the site for the museum, but details were still being finalized, Venezia said.。

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