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'...तो दंगों में सारा गुजरात जल जाता', जानिए पीएम मोदी के किस फैसले के मुरीद हुए सिख नेता_我的网站

一 |     Released in 1990, Anjali is often labelled a “children’s film” or “family drama.” While not inaccurate, those descriptors do little justice to its scope. At its heart, Anjali is an unflinching exploration of how a family fractures and reforms in the presence of the ‘other’. That ‘other’ is Anjali, a young girl with multiple neurodevelopmental conditions, abandoned at birth by a father (Raghuvaran) too afraid to allow grief and hope to co-exist. This isn’t merely a story of acceptance. It is one of confrontation, of guilt, of tenderness, of societal callousness. The child becomes a mirror, and every character from her mother (Revathi, sublime even in silence) to her bewildered siblings is forced to reckon with what they see in their reflections.          Beyond the Noise: Anjali as a Radical Experiment in Empathy In the landscape of Tamil cinema in the 1980s and early ’90s, defined by moral binaries and external antagonists, Ratnam’s Anjali was a narrative insurgency. There are no villains here. The real struggle resides within the confines of the home, and in our collective discomfort with difference. The film dares to ask difficult questions: What does it mean to be normal? Who gets to decide? And can love alone mend the gaping wound of fear?           Language of Loss: Visual Poetry and Sonic CompassionSantosh Sivan’s cinematography conjures a visual poem—Anjali glimpsed through half-closed doors, framed in fractured mirrors, or bathed in gentle light. Her presence is not marginalised, but mythologised. She isn’t just a character; she is a quiet force that reshapes the emotional architecture of everyone around her.Ilaiyaraaja’s music doesn’t accompany the film, it animates it. A lullaby becomes a leitmotif of endangered innocence. His string arrangements, especially the plaintive violins and cellos, turn emotional undertow into orchestral language. Without his score, Anjali would still speak, but not sing.And then there is Shamili. Her performance is startling not for its polish, but its truth. There’s nothing rehearsed about it. Mani Ratnam, ever the alchemist of performance, finds in her something raw and instinctual; less acting, more inhabiting.           The Social Politics of Tenderness In hindsight, Anjali might be Ratnam’s most political film; not through slogans or speeches, but through its unwavering gaze at how society fails its most fragile members. The apartment complex, with its manicured lawns and modern facades, reveals itself as emotionally atrophied, until Anjali unearths something resembling humanity. There is no appeal to sentimentality. Instead, Ratnam urges us to sit in discomfort. And in doing so, he crafts a film that listens more than it speaks, a cinematic act of radical empathy in an era of dramatic noise.            A Legacy Too Quiet to Ignore  For all the epic scale of Raavanan or the operatic ambition of Ponniyin Selvan, Anjali remains Ratnam’s boldest creative risk. In a culture that celebrated machismo and mass appeal, he dared to whisper. And perhaps that’s why we don’t talk about it enough. Because Anjali isn’t here to entertain. It’s here to unearth.  And in that stillness, lies its genius.       See Also:Aishwarya Rai Bachchan and Amitabh Bachchan to star in Mani Ratnam’s next?。    डिजिटल डेस्क, नई दिल्ली। पूर्व राज्यसभा सांसद और सिख मामलों के जानकार तिरलोचन सिंह ने 2002 गुजरात दंगों में प्रधानमंत्री नरेंद्र मोदी (उस वक्त के मुख्यमंत्री) की भूमिका की जमकर सराहना की है। उनका कहना है कि अगर पीएम मोदी ने इस मामले को नहीं संभाला होता तो पूरा गुजरात ही जल गया होता।,न्यूज एजेंसी एएनआई के पॉडकास्ट में बातचीत के दौरान उन्होंने कहा, "यह दंगा साबरमती एक्सप्रेस अग्निकांड से उपजे गुस्से का नतीजा था और अगर नरेंद्र मोदी ने इसे अच्छे से नहीं संभाला होता तो पूरा गुजरात ही जल गया होता।",उन्होंने कहा, "ट्रेन में जिंदा जले लोगों के शवों को उनके परिजन गांव ले जाकर अंतिम संस्कार करना चाहते थे, लेकिन नरेंद्र मोदी ने इन लोगों का अंतिम संस्कार वहीं करवा दिया। अगर ये शव गांवों तक पहुंच जाते तो सोचिए क्या होता? कितना गुस्सा भड़कता? पूरा गुजरात ही जल जाता लेकिन नरेंद्र मोदी ने साहस दिखाया और ऐसा नहीं होने दिया।",सिख नेता ने कहा, "2002 का दंगा जनता के गुस्से से उपजा था और इसमें सरकार की कोई भूमिका नहीं थी। मोदी ने इतना बड़ा काम किया किसी ने इसे हाइलाइट नहीं किया।" गौरतलब है कि गुजरात दंगों के दौरान नरेंद्र मोदी मुख्यमंत्री थे और तरलोचन सिंह अल्पसंख्यक आयोग के अध्यक्ष थे। उनका कहना है कि गुजरात दंगा 1984 में दिल्ली में हुए दंगों की तरह प्रयाजित नहीं थे।,यह भी पढ़ें- 'आपसे कोई खफा है, लेकिन आप संभाल लेंगे'; टैरिफ वॉर के बीच पीएम मोदी से बोले फिजी के प्रधानमंत्री。

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Published on:22:39:46